The Criterion Collection
The Daily
May 23, 2022 — A contemporary reimagining of Au hasard Balthazar becomes an unlikely contender for the Palme d’Or.
Sep 3, 2021 — In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.
Aug 23, 2018 — The director of Computer Chess and Support the Girls finds in John Cassavetes a surrealist whose weirdest set pieces could make David Lynch blush.
Criterion Designs
Aug 14, 2018 — When we asked the beloved fashion illustrator to work on our cover for Tony Richardson’s Tom Jones, he delivered a playful look that matches the film’s modern sensibility.
May 26, 2016 — During the conductor and composer’s visit—a day after he’d led the New York Philharmonic in a live orchestral performance of the score to City Lights—we talked about his love for early cinema, the delicate process of restoring Chaplin’s music, and...
Essays
May 27, 2014 — Howard Hawks was both a skillful Hollywood craftsman and a deeply personal artist, and this western of uncommon wit and grandeur is among his greatest and quirkiest films.
Interviews
Apr 27, 2010 — From left: Marlon Brando, Maureen Stapleton, Tennessee Williams, and producer Richard Shepherd, on the set of The Fugitive Kind. It was Jules Stein, head and founder of MCA, who plucked Richard Shepherd out of Stanford and made him into a real...
The Daily
Feb 22, 2023 — Siblings mourn the parents they’ve lost in new films from Dustin Guy Defa, Philippe Garrel, and Susana Nobre.
Essays
Oct 18, 2022 — Kiyoshi Kurosawa’s hypnotic serial-killer film dives into the realm of the uncanny and envisions the breakdown of Japanese society.