Jun 11, 2024 A radically strange, postmodern adaptation of a novel by Jean Genet, Rainer Werner Fassbinder’s final film is grounded by a sweaty, seething, meaty eroticism—a confrontational sexuality that remains bracing.

Jun 10, 2024 The Canadian filmmaker and artist reflects on his award-winning 1996 breakthrough, a work of voluptuous style and fierce political commitment that remains a landmark of New Queer Cinema.

May Books

The Daily

May 30, 2024 The season brings new biographies of Ingmar Bergman and Elaine May, a novel by Miranda July, plus interviews, excerpts, and podcasts

May 24, 2024 During a period of seismic change in U.S. history, the Hollywood studio system began to fracture beyond repair, resulting in a new freedom in how movies explored themes of violence, psychosis, and social breakdown.

May 22, 2024 Critics in Cannes warmly welcome Rumours, Christmas Eve in Miller’s Point, and Eephus.

Light in Stereo

The Daily

May 17, 2024 We’re reading about Chris Marker and Hiroshi Shimizu and listening to conversations from Cannes.

May 15, 2024 The festival opens with a showcase for French acting royalty.

May 14, 2024 Few filmmakers had a greater impact on the shape and direction of American cinema in the 1960s and ’70s.

May 13, 2024 Among this month’s highlights are a bustling summer barbecue of amply peopled movies full of unforgettable performances, a collection of films with great synth soundtracks, and Adventures in Moviegoing with Paul Schrader.

May 7, 2024 This year’s edition features work by Michel Khleifi, Antoinetta Angelidi, Amit Dutta, Raúl Ruiz, and Tsai Ming-liang.

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