The Criterion Collection
Jan 25, 2019 — Retrospectives in New York and Glasgow offer opportunities to catch up with or revisit the work of an outstanding director of comedies.
Jul 4, 2018 — In his big-screen breakthrough, Sam Shepard delivers tenderness, ferocity, and the quiet expressiveness of a silent film star.
Sep 4, 2017 — Alfred Hitchcock achieved Oscar-winning success with this psychological thriller, a tumultuous collaboration with producer David O. Selznick.
The Daily
Aug 2, 2017 — As Richard Misek explains in his introduction, the new “special issue of [in]Transition forms part of a collaborative project inspired by” the collection Indefinite Visions: Cinema and the Attractions of Uncertainty, edited by Martine Beugnet, Allan Cameron, and Arild Fetveit....
The Daily
Jun 30, 2017 — “Founded in 1946 and situated in the picturesque Czech spa town,” the “Karlovy Vary International Film Festival (KVIFF) is seen as one of the most prestigious events on the circuit,” writes Orlando Parfitt at the top of his preview of...
Features
Oct 4, 2016 — This account of a visit to the Beyond the Valley of the Dolls set is excerpted from an issue of the University of California, Los Angeles, newspaper.
Jun 7, 2015 — Critic Glenn Kenny reveals the connection between two classics: Nicolas Roeg’s film Don’t Look Now and Robert Wyatt’s album Rock Bottom.
Jan 26, 2015 — Scenes without endings, sounds without corresponding images, actions without seeming motivation—Lucrecia Martel’s sense-heightening debut offers a cinema of subtraction.
Mar 28, 2011 — Topsy-Turvy is both an anomaly among the films of Mike Leigh and, contrary as it may seem, a Rosetta stone. On the one hand, it is Leigh’s only costume picture and only biopic—a far cry from the bittersweet, realistic films...
Essays
Feb 9, 2010 — You can’t keep a good woman, or a great movie about a good woman, down. By all accounts, goodness in the real Lola Montez reflected the vagaries of character, not talent. She was, as Cosmo Brown says of Lina Lamont...