The Criterion Collection
Essays
Feb 11, 2002 — The phenomenon of old age wherein childhood memories return with ever-increasing clarity while great stretches of the prime of life vanish into obscurity is the nub of Ingmar Bergman’s drama.
Edward Baron Turk is a professor emeritus of the humanities at the Massachusetts Institute of Technology. His books on the performing arts include Child of Paradise: Marcel Carné and the Golden Age of French Cinema (Harvard University Press), Hollywood Diva:...
Having begun her career in radio journalism in 1981, at the age of nineteen, Elvira Lindo went on to become an acclaimed novelist as well as a writer for television and film. She is a weekly contributor to El País,...
Charles Ramírez Berg is a professor of film studies at the University of Texas at Austin. He has written extensively on film history, Latinos in U.S. film, Mexican cinema, and narratology. His most recent book is The Classical Mexican Cinema:...
Michael Koresky is the senior curator of film at Museum of the Moving Image; cofounder and editor of the online film magazine Reverse Shot, a publication of MoMI; the author of Sick and Dirty: Hollywood’s Gay Golden Age and the...
Sep 17, 2025 — One of the most influential comedies of the 1980s, Rob Reiner’s rock-and-roll satire is a remarkably authentic, lived-in portrait of musicians, their egotism, and the industry that feeds off their stardom.
Jan 24, 2023 — Filled with evocative images and guided by the unique aesthetic sensibility of the landlocked kingdom of Lesotho, Lemohang Jeremiah Mosese’s film is an exploration of the power of grief that is paradoxically uplifting.
Sep 26, 2023 — Brett Morgen’s portrait of David Bowie is a free-associative hybrid of pop history and imaginative extravaganza—impressionistic, eclectically allusive, and, above all, immersive.
Apr 13, 2021 — To fall deeply in love means to take a risk, and no romantic movie is riskier than History Is Made at Night (1937). Producer Walter Wanger came up with the very grand and suggestive title, but he had only two...
Mar 16, 2018 — Martin Scorsese talks with critic Kent Jones about some of the techniques that helped bring the film’s depiction of Gilded Age Manhattan to life.