The Criterion Collection
Short Takes
Jan 6, 2016 — Celebrated English playwright, actor, screenwriter, and composer Noël Coward brought us many cinema classics, but his relationship with the medium was far from straightforward, as Coward scholar Barry Day explains in a post at Literary Hub.
Short Takes
Sep 10, 2015 — Noah Baumbach asks one of his idols, Brian De Palma, about the stunningly elaborate museum sequence in Dressed to Kill.
Jul 22, 2009 — Made in 1966 (so quickly that it could almost be considered an improvisation), Jean-Luc Godard’s twelfth feature is arguably the most quintessentially “Godardian” of the filmmaker’s early period— but for those of us in the United States, it is also...
Aug 22, 2005 — Featuring a brilliant, idiosyncratic performance by Michel Simon, Jean Renoir’s early comedy is a commendation of loitering as the antidote to efficiency and perfection.
Jan 6, 2003 — Ernst Lubitsch set the screwball comedy standard, treating hard-on material with dignified aplomb and a combination of suaveness, hilarity, and sexiness.
Jun 13, 2024 — Baker has selected seventeen films to screen in New York before her first feature opens next week.
Criterion Designs
Aug 14, 2018 — When we asked the beloved fashion illustrator to work on our cover for Tony Richardson’s Tom Jones, he delivered a playful look that matches the film’s modern sensibility.
The Daily
Dec 18, 2017 — On Friday, we saw the first round of titles slated for the Panorama section of the sixty-eighth Berlin International Film Festival (February 15 through 25). Today, the Berlinale’s revealed the first ten titles lined up for the Competition. Laura Bispuri’s...
The Daily
Aug 9, 2017 — The Toronto International Film Festival has added Canadian features and shorts and a bit more to the lineup of its forty-second edition, running from September 7 through 17. Earlier rounds: Gala and Special Presentations TIFF Docs, Midnight Madness, and Short...
The Daily
May 20, 2017 — “The film industry is full of unassuming figures quietly holding everything together without ever demanding a share of the limelight,” begins Gwilym Mumford in the Guardian. Filmworker, a “tender documentary” premiering in the Cannes Classics program, “makes time to profile...