The One and Only

Dec 26, 2017 — The great Austrian filmmaker spoke with us about his early experiences falling in love with cinema and the films that have shaped his singular aesthetic.

May 30, 2017 — Manhattan’s Quad Cinema reopened last month with a series of events that highlighted the emotional immediacy that comes with the experience of watching movies for the first time.

Apr 12, 2017 — British director Jack Clayton elicited landmark performances from a host of great ladies of the cinema, including Maggie Smith, Deborah Kerr, and Anne Bancroft.

Apr 2, 2017 — What defines noir acting? In her latest Dark Passages column, Imogen Sara Smith examines the stylistic variety in some of the genre’s most iconic male performances, including Burt Lancaster in The Killers and Ralph Meeker in Kiss Me Deadly.

May 17, 2016 — Juxtaposing a vision of a stark, primitive existence on a remote Japanese island with that country’s vast twentieth-century modernization, Kaneto Shindo reveals Japan’s postwar paradoxes and makes a case for its essential, immutable character.

Apr 29, 2016 — The writer-director of such witty cultural sendups as Metropolitan, Barcelona, and The Last Days of Disco talks about that early-career trilogy; his new Jane Austen adaptation, Love and Friendship; and the filmmaker’s work of capturing the past.

Apr 8, 2016 — Ten years ago, with the release of his debut film Reprise, a spirited drama about two young aspiring novelists, Norwegian filmmaker Joachim Trier emerged as one of the most interesting new voices in European cinema.

Jan 12, 2016 — In German filmmaker Wim Wenders’s high-strung thriller, adapted from two Patricia Highsmith novels, Dennis Hopper plays sociopathic con man Tom Ripley as a “hopped-up elf from hell” who works his charms on a winsome and guileless Bruno Ganz.

Jan 11, 2016 — In honor of the great cinematographer, our technical director shares some memories of encountering the man and his work.

Apr 17, 2013 — Four of the great Japanese director’s lesser-known, early films show the coming into being of a political artist.