The Criterion Collection
Essays
Nov 22, 2016 — The result of a notoriously troubled production, Marlon Brando’s unorthodox western presents a brooding vision of human futility.
In Theaters
Sep 29, 2016 — Ciné, in Athens, Georgia, screens Roman Polanski’s 1968 occult masterpiece, starring Mia Farrow as a woman who believes her husband and elderly neighbors are involved in a satanic plot against her and her unborn child.
Sep 28, 2016 — The salacious sixties phenomenon of the Dirty Book made its way to the big screen in this adaptation of Jacqueline Susann’s best seller.
Sep 13, 2016 — Kenji Mizoguchi achieved the sublime with this structurally complex portrait of artistic ambition and female subjugation.
Sep 1, 2016 — Balancing epic scale with lyrical intimacy, Orson Welles inflects the spirit of Shakespeare’s history plays with his own zest for cinematic invention.
Aug 23, 2016 — Tony Richardson’s era-defining exploration of sexuality, race, and working-class life brought a uniquely female perspective to England’s Free Cinema movement.
Jul 21, 2016 — Interweaving wartime footage with haunting images of abandoned concentration camps, Alain Resnais’s breakthrough was one of the first films to confront the ravages of the Holocaust.
Jul 20, 2016 — In his staggeringly ambitious masterwork A Touch of Zen, Chinese filmmaker King Hu imbues dynamic scenes of combat with balletic grace and audacious stylistic experimentation.
Jul 19, 2016 — Time is both inescapable and irretrievable in Alain Resnais’s boldly disorienting masterpiece, which stars Delphine Seyrig as a widow haunted by her memories of World War II.
Jul 10, 2016 — The author, a filmmaker and film professor who cowrote a book on Abbas Kiarostami, remembers the late Iranian director.