One Day

Nov 8, 1999 — In The Third Man—probably the greatest British thriller of the postwar era—director Carol Reed and screenwriter Graham Greene set a fable of moral corruption in a world of near-Byzantine visual complexity: the streets and ruins of occupied Vienna. It is...

Nov 1, 1999 — The Unbearable Lightness of Being is a profoundly beguiling movie about sex, love, and rebellion.

Sep 6, 1999 — The subject of loneliness and the observation of the isolated person has always interested me. Even as a child, I couldn’t help but notice those who didn’t fit in for one reason or another—myself included. In life, and for my...

May 31, 1999 — In Abbas Kiarostami’s universe, it might be said, there are no things, only relations between things. Likewise, in his cinema: no films, only relations between films—and within them. And between them and us.Three and one. The most celebrated of Iran’s...

Jan 11, 1999 — This epic reimagining of medieval Russia was the most historically audacious production made in the twenty-odd years after Sergei Eisenstein’s Ivan the Terrible.

Oct 19, 1998 — Horror need not always be a long-fanged gentleman in evening clothes or a dismembered corpse or a doctor who keeps a brain in his gold fish bowl. It may be a warm sunny day, the innocence of girlhood and hints...

Nov 14, 1995 — Tamura (Eiji Funakoshi), the hero of Kon Ichikawa’s drama, may be the loneliest man in the history of the movies—lonelier than the spiritual pilgrims of Bergman, Bresson, and Dreyer.

Sep 25, 1995 — Noel Coward and David Lean’s drama is the Citizen Kane of war movies, as well as the precursor to Lean’s even more celebrated works.

Oct 18, 1994 — Val Lewton’s cinematic diamond-in-the-rough has been recognized for decades as a definitive chiller, but it was conceived as a title, with no story or notion in mind, and as a way of generating cash for RKO.

Jan 11, 1994 — A harrowing nightmare about life in inner-city hell, this 1993 sleeper-hit is a powerhouse filmmaking debut by the Hughes brothers.