Aug 24, 2015 As part of a wide-ranging new interview for New York magazine, über-cinephile and genre master Quentin Tarantino reflects thoughtfully on the western’s mutable qualities and how it has always revealed something about its times: “The westerns of the ’50s reflected...

Aug 20, 2015 You may recognize Jason Polan’s often wacky, always charming drawings from our newsletter emails. But the artist, whose illustrations have also been published in the New Yorker, Metropolis, and the New York Times, has his sights set on more than...

Aug 17, 2015 François Truffaut’s love letter to the movies is a lightheartedly self-reflexive symphony of camera movement and musical flourish.

Aug 13, 2015 The films Agnès Varda made while living on the West Coast of the United States are some of the most searching and challenging of her stellar career.

Aug 12, 2015 Director Karel Reisz and writer Harold Pinter’s brilliant adaptation of John Fowles’s novel focuses on the experiences of women in two radically different eras.

Jul 30, 2015 It is now thirty years since the release of Stephen Frears’s film, which was both a product of and a response to the social and political landscape of 1980s Britain and depicted the lives of Pakistani immigrants with wit and...

Jul 23, 2015 The composer is credited with scoring eleven films for Bergman—among them Smiles of a Summer Night (1955), Wild Strawberries (1957), and The Magician (1958)—the last being The Virgin Spring (1960), with its evocative use of medieval instruments.

Jul 17, 2015 As visually and sociopolitically expansive as it is intimate in its details of a boy’s coming of age, Jan Troell’s film is one of the great cinematic debuts.

Jul 14, 2015 Carroll Ballard’s film is a work of rapture, a mesmerizing adventure that envelops the viewer in the beauties of the natural world.

Jul 13, 2015 “I think that in a few years, in ten, in twenty, or thirty years, we shall know whether Hiroshima mon amour was the most important film since the war, the first modern film of sound cinema.” That was Eric Rohmer,...

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