To Have and Have Not

Aug 26, 2014 — Define the Japanese New Wave however you like—there are innumerable possible launching points, and the name players in the fifties and sixties were old and young and in between—but from any juncture, Shohei Imamura was a primary figure and, at...

Jan 28, 2014 — Terence Davies beckons the viewer into a private world of moods and sensations with this exquisite childhood reverie.

Dec 4, 2012 — Misunderstood by Hollywood, embraced by critics, this fatalistic fantasy remains Terry Gilliam’s ultimate trip.

May 22, 2012 — These five films chart the unlikely ascendance of a hero of American underground cinema.

Nov 25, 2010 — Five Easy Pieces is not a statement about America but a closely observed report. Or, perhaps, a confession.

Mar 23, 2010 — In myriad inventive ways, Terrence Malick’s philosophical drama shows us how nature and culture are always intertwined.

Dec 11, 2009 — This expansive tribute to the iconic Japanese actor Tatsuya Nakadai was first published on the Criterion Collection’s website in fall 2005, around the time of the Criterion releases of two films starring Nakadai: Kurosawa’s Ran and the less well-known samurai...

Nov 11, 2009 — As a member of the Harlem Amateur Players, Robeson had heard a great deal about Brutus Jones from the Playhouse’s set designer, Cleo Throckmorton. Moved by Robeson’s performances with the Manhattan-based troupe, Throckmorton was the first to approach him about...

Jun 8, 2009 — As I write this, it has been a year and a half since Ingmar Bergman passed away—and I miss him daily. I miss his imagination and the comfort he gave, both personally and through his films. I got to know...

Feb 3, 2009 — Luis Buñuel’s surrealist satire is the last film he made in Mexico, the last one in which he used Mexican actors, and most significantly the last one on which he worked with the great Mexican cinematographer Gabriel Figueroa.