To Be or Not to Be

Jun 11, 2019 — In the mid-1970s, a poet’s circus rolled through the northeast, manifesting the spirit and confusion of the era.

Feb 22, 2019 — If I were to list the criteria for my ideal project, creating a sculpture of Tadzio, the young boy from Death in Venice, for a Criterion release of Luchino Visconti’s adaptation would just about tick off all the boxes. Firstly, I love cinema,...

Feb 6, 2019 — On the Criterion edition of Secret Sunshine, Lee Chang-dong describes his creative process as one of utter despair. That should come as no surprise to anyone who knows his work. Since making his feature debut, Green Fish, in 1997 at...

Jan 25, 2019 — This week features major new resource on The Magnificent Ambersons, Godard’s allusions, and Ilya Khrzhanovsky’s multimedia extravaganza.

Nov 27, 2018 — With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.

Sep 3, 2018 — Here’s how the competition is shaping up so far.

Jul 13, 2018 — A series in New York presents all ten of the films featuring Hollywood’s most celebrated dance partners.

May 24, 2018 — Let the celebrations begin with a series in New York, a season in London, and a new restoration.

Apr 2, 2018 — Khalik Allah’s Black Mother premiered at last month’s True/False Film Fest, saw its international premiere at CPH:DOX in Copenhagen, has just screened in Paris at the fortieth Cinéma du réel, and screens this week at New Directors/New Films in New...

Mar 2, 2018 — “This was a singular experience,” writes novelist Walter Mosley, who’s revisited Norman Jewison’s In the Heat of the Night (1967) and turns in a powerful piece in the Hollywood Reporter. On the one hand, the “belief in the North as...