The Criterion Collection
The Daily
Sep 28, 2018 — Elisabeth Moss steers a ’90s-era rock band towards self-immolation.
Sep 26, 2018 — The completion of the project Welles began in the 1970s is one of the major cinematic events of the year.
The Daily
Sep 24, 2018 — The research center and archive will open early next year.
The Daily
Sep 21, 2018 — This week’s round of five highlights begins with a new column and a new issue of Film Quarterly.
Sep 17, 2018 — Critics pick their favorite premieres of the season, and Toronto audiences vote up a surprise winner.
Sep 11, 2018 — There is a brief, nearly throwaway scene early in Olivier Assayas’s Cold Water (1994) that testifies to the transcultural power of rock and roll. In an apartment outside Paris in 1972, we see two teenage brothers wrestling over a portable...
The Daily
Sep 10, 2018 — Hopes were high in Venice this year, and for the most part, they seem to have been fulfilled.
On the Channel
Sep 7, 2018 — For the Criterion Channel original series Art-House America, now playing on FilmStruck, we recently visited the Texas Theatre in Dallas, a venue that became infamous as the site where Lee Harvey Oswald was arrested and now hosts a variety of imaginative...
The Daily
Sep 6, 2018 — New films by Jennifer Kent, Jacques Audiard, Paul Greengrass, and Pablo Trapero.
The Daily
Aug 30, 2018 — A solid first round of reviews for the Venice opener—and for Ryan Gosling’s performance as Neil Armstrong.