The Criterion Collection
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Oct 26, 2017 — Senses of Cinema has launched a podcast and topics discussed in the first episode (62’45”) include Denis Villeneuve’s Blade Runner 2049, Jacques Tourneur, and the Mexican narco wars onscreen. And speaking of Blade Runner, Cinematologists Dario Llinares and Neil Fox...
Oct 23, 2017 — David Bordwell’s new book, Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling, is out, and we’ll be hearing more about it soon. For now, though, New Yorkers will want to know that Bordwell’s coming to town, specifically to the Museum...
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Oct 23, 2017 — The week starts off with a new trailer (embedded below), poster, and, via Jordan Raup at the Film Stage, an official synopsis for Paul Thomas Anderson’s Phantom Thread:Set in the glamour of 1950s post-war London, renowned dressmaker Reynolds Woodcock (Daniel...
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Oct 23, 2017 — “Meet the new hotshots of American filmmaking,” offers the Observer, stacking four profiles on one page. Tim Lewis gets Dee Rees talking about Mudbound (“The mud wasn’t free!”) and going with Netflix: “I think Netflix are disrupters and maybe they...
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Oct 20, 2017 — Back in August, a woman identified only as Robin became the third woman to accuse Roman Polanski of sexual assault, after Samantha Geimer and Charlotte Lewis. On October 3, two days before the New York Times blew the Harvey Weinstein...
Oct 18, 2017 — Actor Sheryl Lee discusses the experience of collaborating with David Lynch on Twin Peaks: Fire Walk with Me and the director’s unique method of guiding his cast through a process that defied conventional logic.
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Oct 17, 2017 — Paul Thomas Anderson’s next film—and very likely Daniel Day-Lewis’s last—now has a release date, Christmas Day, and its own website. In Phantom Thread, Anderson “will once again explore a distinctive milieu of the 20th century. The new movie is a...
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Oct 16, 2017 — J. Hoberman will be at Light Industry in New York tomorrow evening to introduce a program of films he’s calling Against Riefenstahl: Charles A. Ridley’s The Lambeth Walk (1940), Frank Capra and Anatole Litvak’s Why We Fight: The Nazis Strike...
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Oct 14, 2017 — Woody Allen’s Wonder Wheel is “a passionate comedic drama that unfolds some of the tones of Allen’s youth,” writes the New Yorker’s Richard Brody. “It’s set in the early nineteen-fifties, in Coney Island, and Allen lends the drama a structure...
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Oct 12, 2017 — The Chicago International Film Festival opens tonight with Reginald Hudlin’s Marshall and runs through October 26, when it closes with Guillermo del Toro’s The Shape of Water, which won the Golden Lion in Venice (reviews).“Some biopics go for sweeping and...