The Brazilwood Man

Nov 15, 2022 — An ongoing series spotlights films by women directors made in eastern Europe during the Soviet era.

Sep 30, 2022 — We’re reading interviews with Garret Bradley and Don Hertzfeldt and a marvelous account of the making of Nosferatu the Vampyre (1979).

Sep 29, 2022 — An erotically charged “musical fantasia” opens the NYFF’s Currents program.

Sep 28, 2022 — A long-obscure landmark of the Iranian New Wave, Mohammad Reza Aslani’s daringly ambiguous portrait of feudalism’s demise mirrors the revolutionary times in which it was made.

Aug 18, 2022 — This week’s announcements from Toronto and New York promise tantalizing world premieres and other highlights of the season.

Aug 5, 2022 — We wrap the week with melodrama and Odorama, a new magazine, and the summer of 1982.

Jul 15, 2022 — This week we head back to 1981 with Reverse Shot, to the 1970s with Straub-Huillet, and to the 1960s with Marco Bellocchio.

Jun 10, 2022 — This week: Sarah Maldoror and Wayne Wang, plus new issues and features and the return of Film Studies for Free.

May 2, 2022 — MoMA and the Harvard Film Archive present a program of more than forty overlooked features.

Apr 29, 2022 — This week swerves from the slick cinéma du look to the harshest punk noise.