The Criterion Collection
Essays
Dec 3, 1990 — Over the years I have had a recurrent nightmare in which I am summoned to a large, unfamiliar building in a middle-European satellite country (Bulgaria, perhaps) to tell the idea of Annie Hall to the Bulgarian Minister of Green Lights,...
Oct 9, 2015 — Guy Maddin and his filmmaking partner Evan Johnson dropped by the Criterion kitchen to talk about their new film, The Forbidden Room.
Production Notes
Apr 22, 2009 — Some of you might have seen the news item on our website regarding the Jacques Tati “centennial-plus” and the exhibits around Paris paying homage to the inventive filmmaker. I had the good fortune to be in the City of Lights...
Tech Corner
Dec 11, 2008 — Technical director Lee Kline, just back from Paris, where he worked on Last Year at Marienbad with Alain Resnais, reports: I was a little nervous to show Alain Resnais our new transfer of Marienbad, but I pushed hard to have...
Nov 24, 2008 — Filmmaker D. A. Pennebaker (Dont Look Back, Monterey Pop, The War Room) and Chris Hegedus (The War Room, Startup.com), creative partners and husband and wife, offer their favorites. Read Pennebaker’s top ten here.Photo by Kit Pennebaker
Nov 21, 2008 — Filmmaker D. A. Pennebaker (Dont Look Back, Monterey Pop, The War Room) and Chris Hegedus (The War Room, Startup.com), creative partners and husband and wife, offer these favorites. Note: “This list was supposed to be ten in number, but I...
Nov 11, 2002 — Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...
Sep 22, 1997 — The English Patient was the ?rst book of Michael Ondaatje’s I had read, and I thought it was remarkable.Two weeks after ?nishing the novel, Anthony Minghella telephoned from London and asked, “How could we do this as a movie?” Being...