The Criterion Collection
Essays
Nov 22, 2016 — The result of a notoriously troubled production, Marlon Brando’s unorthodox western presents a brooding vision of human futility.
Nov 16, 2016 — The joy of new love collides with the anxieties of everyday life in Paul Thomas Anderson’s off-kilter foray into romantic comedy.
Nov 15, 2016 — Akira Kurosawa lays bare his deepest fears in this visually astonishing interpretation of folklore, myth, and the director’s own dreams and memories.
Sep 1, 2016 — Balancing epic scale with lyrical intimacy, Orson Welles inflects the spirit of Shakespeare’s history plays with his own zest for cinematic invention.
Aug 16, 2016 — Stig Björkman’s candid documentary gathers a wealth of material from Ingrid Bergman’s personal archive, revealing the star as a fastidious collector of her own memories.
Features
Jul 22, 2016 — Two pieces, written by director King Hu, that were originally published as part of a 1975 press kit for the Cannes Film Festival.
Jun 1, 2016 — With Wrong Move, Wim Wenders made “a movie about the impossibility of moviemaking, a road movie about the uselessness of travel, a literary film about the impossibility of communication.”
Mar 21, 2016 — Edward Yang’s masterful 1991 adolescent epic telegraphs the tensions and turbulence of 1960s Taiwan, when youth pop culture and teen street gangs became a major societal force.
Essays
Feb 24, 2016 — Fifty years after its initial release, Antonio Pietrangeli’s I Knew Her Well is only now emerging as a dazzling peer of the classics of 1960s Italian cinema.
Jan 12, 2016 — In German filmmaker Wim Wenders’s high-strung thriller, adapted from two Patricia Highsmith novels, Dennis Hopper plays sociopathic con man Tom Ripley as a “hopped-up elf from hell” who works his charms on a winsome and guileless Bruno Ganz.