The Criterion Collection
Jul 11, 2019 — The accomplished actor could be “compellingly loathsome,” a “titan” of comedy, and “unexpectedly moving.”
May 28, 2019 — It has taken me forty years to appreciate the audacity of Agnès Varda in writing and directing One Sings, the Other Doesn’t (1977). Not only did Varda make her subject the most crucial and vexed issue of the feminist movement, at that...
The Daily
May 10, 2019 — The latest updates from Cannes, the Berlinale, Il Cinema Ritrovato, and beyond.
Apr 23, 2019 — Elia Kazan can be and has been called many things: a cinematic genius, an actor’s director, a womanizer, a government stoolie, an uncompromising artist and three-time Academy Award winner. But whatever your opinion of his personality, his temperament, or his...
The Daily
Mar 5, 2019 — In his final years, the Mauritanian filmmaker was thrilled to see his work reaching new audiences.
Features
Nov 23, 2018 — The work of James Agee (1909–1955) remains one of the touchstones of American movie criticism. An extraordinarily versatile writer, he won acclaim as a novelist, a poet, and a screenwriter (his scripts for The African Queen and The Night of the...
Features
Nov 20, 2018 — In the aftermath of the political turmoil that swept through France in 1968, Sylvina Boissonnas used her wealth to sponsor some of the most radical films of the era, including works by Philippe Garrel and Jackie Raynal.
The Daily
Nov 11, 2018 — Cold War leads the nominations for this year’s European Film Awards, while Ray & Liz scores in Thessaloniki.
The Daily
Jul 8, 2018 — “I Do Not Care If We Go Down in History as Barbarians” takes the top prize.
Essays
Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.