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The First Year

May 27, 2021 First Person I first watched Yi Yi on a busted cassette tape, in my small Texas town, rented from a Blockbuster behind a rice field and a pharmacy. If you were a high schooler growing up just outside of Houston...

Dec 26, 2018 Members of the Criterion tech team headed to India last month to teach some practical skills in moving-image conservation at the Film Preservation & Restoration Workshop.

Oct 12, 2010 This essay originally appeared in the October 1990 issue of Cahiers du cinéma. Translated by Stephen Sarrazin. The Magician is one of Bergman’s most enigmatic films, perhaps his underground masterpiece, one of the keys to his cinema. Traveling actors, maids...

May 8, 2026 Jean Rouch said they created “a new cinematographic language,” and a retrospective touring North America begins in Toronto.

Aug 22, 2023 A new restoration of Roemer’s brisk and oddly endearing 1969 comedy screens in New York, Los Angeles, and Chicago.

October Books

The Daily

Oct 16, 2019 This month’s round includes new critical assessments of Bresson and Rohmer, Hollywood memoirs, and interviews with living legends.

Jan 16, 2018 Today we’re opening with an item that bumps New York from its usual top spot in these “goings on” roundups, because the first four titles lined up for this year’s Berlin Critics’ Week (February 14 through 22) have been announced:...

Oct 1, 2017 “Noah Baumbach has always been a writer-director of no formal distinction, but he's possessed with a keen eye and ear for the intricacies of pettiness, humiliation, and schadenfreude,” begins Steve Macfarlane at Slant. “His new film, The Meyerowitz Stories (New...

Feb 5, 2013 Keisuke Kinoshita’s most experimental film is a resplendent, kabuki-inspired, folk-derived drama about mortality.

Jul 6, 2012 Samuel Fuller wrote this extraordinary “interview” piece shortly after White Dog was completed. It appeared in issue 19 of the journal Framework in 1982, with this introduction: “The director of Paramount’s White Dog interviewed the title actor of the movie...

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