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The Final Year

Jun 30, 2026 The distinction between social and political cinema is not always clear. The former category, which focuses on realistic portrayals of the everyday lives and struggles of the working class, generally includes the films of Italian neorealism and British social realism,...

Cannes Openers

The Daily

May 14, 2026 Jane Schoenbrun’s third feature is met with raves, while three other early entries are seeing mixed reviews.

Apr 28, 2026 As the 1950s began, Kinuyo Tanaka found herself at a turning point. She had been acting in films since she was fourteen, becoming one of Japan’s most beloved, admired, and prolific women stars. Now in her early forties, she saw...

Apr 14, 2026 New films from Radu Jude, Clio Barnard, Lisandro Alonso, and Alain Cavalier are headed to Cannes.

Feb 20, 2026 Since the 1980s, Indigenous artists have turned to documentary filmmaking and a variety of experimental forms to reassert their cultural sovereignty and lay claim to their own narratives.

Feb 3, 2026 This year’s winners tell stories of trauma and triumph.

Jan 29, 2026 Jonathan Glazer’s enigmatic second feature explores the terrors of being desperate for love—and the vulnerability, loneliness, and difficulty in understanding other people that might drive this state.

Jan 27, 2026 Unencumbered by the white gaze, Reginald Hudlin’s groundbreaking feature-film debut is a celebration of a Black community in all its diversity, featuring fully realized characters who exist not as spectacle but as reality.

Dec 2, 2025 In a string of short films he made in the 1920s, Man Ray brought a restlessly inventive spirit to a young medium, pushing the boundaries of cinematic form with frenetic editing, abstract imagery, and surrealist camera tricks.

Oct 30, 2025 Classics of the genre—including Andrzej Żuławski’s Possession and David Cronenberg’s The Fly—explore the gory extremes of corporeal experience.

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