Back To Search

The Express

Sep 26, 2022 For this new illustration, Spanish artist David de las Heras combined his signature use of bold colors with the lush style of French postimpressionist Henri Rousseau, a key visual influence on Atom Egoyan’s 1994 film.

Aug 6, 2019 The groundbreaking filmmaker had a hand in inventing—and then reinventing over and again—the modern documentary.

Feb 24, 2018 The International Jury of the sixty-eighth Berlin International Film Festival—Tom Tykwer (president), Cécile de France, Chema Prado, Adele Romanski, Ryuichi Sakamoto, and Stephanie Zacharek—has awarded the Golden Bear for Best Film in the Competition to Adina Pintilie’s Touch Me Not.Małgorzata...

Aug 12, 2015 Director Karel Reisz and writer Harold Pinter’s brilliant adaptation of John Fowles’s novel focuses on the experiences of women in two radically different eras.

May 20, 2024 From documentaries and stop-motion animation to multimedia projects, the richly varied work of this veteran director is a testament to her innovative spirit and her commitment to the everyday beauty of African American experiences.

Where Were We?

The Daily

May 17, 2017 Welcome to the first entry of the Daily at the Criterion Collection. For those of you who don’t know me, since 2003 I’ve been gathering links to essential—or simply fun—reading, news stories, and items of interest into a sort of...

Aug 26, 2016 ClippingsLast weekend, in conjunction with his new album, Blonde, musician and noted cinephile Frank Ocean released a limited-edition zine titled Boys Don’t Cry, which featured a list of his favorite films. Chungking Express, Eraserhead, Blood Simple, Solaris, Paris, Texas, and...

Sep 21, 2023 Like the nuclear family, the internet shapes us whether or not we choose to relate to it. In 38, the final short in a triptych by filmmakers Micaela Durand and Daniel Chew, a woman approaching middle age becomes obsessed with...

Mar 28, 2022 Rosine Mbakam’s documentaries are exercises in reconfiguring relations of power. Her first three nonfiction features are all portraits of Cameroonian women, each of whom is invited to participate in coconstructing a cinematic space of testimony, candor, and expressive autonomy. Filmed...

Feb 6, 2019 On the Criterion edition of Secret Sunshine, Lee Chang-dong describes his creative process as one of utter despair. That should come as no surprise to anyone who knows his work. Since making his feature debut, Green Fish, in 1997 at...

Current Page
32
of 167

You have no items in your shopping cart