The Criterion Collection
Sep 5, 2017 — Frederick Wiseman “is 87 now,” as Tom Charity notes in the new issue of Cinema Scope. “It may be a little presumptuous to suggest he’s reaching for a summation, but it is sure that he’s only making the films he...
Interviews
Nov 11, 2015 — There’s an infectious energy and excitement that radiates from the French actor and filmmaker Mathieu Amalric. This is palpable in his performances on-screen or on the stage, and it was in full force when he visited Criterion recently.
Essays
Oct 6, 2008 — It is pretty much a convention of the hard-boiled gangster picture that most, if not all, of the principal characters wind up dead by the final shot. So it ought not constitute a “spoiler” to note that Jean-Pierre Melville’s Le...
Oct 28, 2020 — More than anything, Claudine felt like a reprieve; the film, directed by John Berry and released in 1974, gave audiences a compelling alternative depiction of Black life from those about Black drug lords and mafia dons fighting over real estate...
The Daily
Jun 22, 2023 — Film at Lincoln Center presents a twelve-film retrospective and a three-week run of The Mother and the Whore (1973).
Sep 29, 2017 — One of the most elusive artists in American cinema opens a window onto his private life and creative methods in this revelatory documentary.
The Daily
Jan 5, 2026 — One of France’s biggest stars took the world by storm before her reputation took a turn.
The Daily
Dec 10, 2024 — The Locarno Film Festival is making a new restoration of Alberto Cavalcanti’s A Real Woman freely available worldwide.
The Daily
Apr 10, 2024 — Heading into its final weekend, the festival presents new work from Singapore, Serbia, Brazil, China, Iran, Georgia, and Taiwan.
The Daily
Dec 15, 2023 — Pedro Almodóvar looks back, Roy Andersson empathizes, and Alice Diop addresses the state of cinema.