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The Best Man

May 13, 2024 Among this month’s highlights are a bustling summer barbecue of amply peopled movies full of unforgettable performances, a collection of films with great synth soundtracks, and Adventures in Moviegoing with Paul Schrader.

Mar 27, 2024 The director of the films that launched the Zatoichi and Lone Wolf and Cub series made three virtuosic, melancholic dramas in the early 1960s.

Mar 25, 2024 What makes a “bad” movie anyway? By surveying the bombs, disasters, and secret masterpieces (dis)honored at the Golden Raspberry Awards, we can learn much about American cinema’s prevailing standards of taste.

Mar 22, 2024 This week we’re revisiting two classic video essays and reading about great bio-pics, Med Hondo, and Haitian cinema.

Mar 20, 2024 The Cinémathèque presents three double features, and all six films star “noir seductress nonpareil” Gloria Grahame.

March Books

The Daily

Mar 18, 2024 It’s an eclectic bunch this month, featuring a new play, a ban on the color green, and Godzilla.

Feb 13, 2024 Through its echoes, resonances, and intricately branching stories, this cycle of films evokes the feeling that life, like the weather, is based on patterns too complex to ever be fully predictable.

Jan 25, 2024 Best known for In the Heat of the Night and Moonstruck, Jewison also directed spectacular musicals, heist thrillers, and courtroom dramas.

Jan 24, 2024 Neon’s latest Sundance acquisition is a ghost story told by the ghost.

Dec 8, 2023 Roy Waller (Nicolas Cage), the jittery protagonist of Ridley Scott’s 2003 crime comedy Matchstick Men, doesn’t like to think of himself as a common crook. “I’m a con artist,” he insists, and—in a frenzy of self-justification—further explains: “They give me...

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