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Talk to Me

Jul 31, 2018 The award-winning director of The Rider explores the deep respect for nature and subjective human experience in Terrence Malick’s masterful vision of early seventeenth-century America.

Jul 30, 2018 At a time when women were rarely seen behind the camera, Babette Mangolte created a bold, distinctive aesthetic with a mix of slow rhythms and hauntingly static compositions.

Producing Female Trouble

Production Notes

Jul 25, 2018 After languishing for decades in John Waters’ attic, never-before-seen footage from the set of Female Trouble has made its way onto our newly released edition of the film.

Jul 16, 2018 The legendary baseball writer talks about the no-nonsense pleasures of one of the all-time great sports movies and the classic essay he wrote about it.

Summer with Ingmar

The Daily

May 30, 2018 The Bergman 100 celebration brings us two new documentaries—and some terrific artwork, too.

May 21, 2018 W hether she’s pushing herself to new heights on stage and screen or nurturing her passions as a painter and poet, Juliette Binoche is as creatively voracious now as she’s ever been. Her combination of strength and disarming vulnerability as...

May 8, 2018 Horror movies are often understood as products of the imagination, but in the case of Caroline Monnet and Daniel Watchorn’s work, the conventions of the genre are grounded in stories of real-life injustice. Set in a Canadian residential school for...

Back in a Bit

The Daily

Apr 21, 2018 We’re going to be doing a little renovating around here, so this will be the last Daily post for about a week or so. It’ll be worth the wait. You’ll see. In the meantime, let’s have a quick look at...

Apr 20, 2018 Let’s catch up with the new issue of cléo journal, this one dedicated entirely to the work of Agnès Varda. When the journal launched five years ago, it took its name from Varda’s 1962 classic, Cléo from 5 to 7....

Apr 19, 2018 With a mix of improvisation, balletic physicality, and slapstick humor, Hollywood master Leo McCarey crafted the most sublime of screwball comedies.

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