The Criterion Collection
Mar 29, 2019 — When Carlos Reygadas’s debut film, Japón, came out in 2002, my generation was just starting to drive cars, smoke weed, use contraceptives. A movie ticket at the Cineteca Nacional still cost only twenty pesos then if you showed your student...
Interviews
Mar 27, 2019 — Certain films find a way of creeping into your brain because they invite you to explore whole new worlds that continue well beyond their final frames. These movies force you to keep looking for answers to questions posed not just...
The Daily
Mar 26, 2019 — As BAM prepares to present the largest U.S. retrospective yet, we look back on the singular oeuvre.
The Daily
Jan 16, 2019 — Unquiet is the first of Linn Ullmann’s books to directly address her parents. Plus, the criticism of Rivette and Bazin, a radio campaign led by Welles, and more.
Essays
Jan 15, 2019 — In Notorious (1946), love assumes different shapes and presentations—as a wound, a weapon, a promise, a curse. For Ingrid Bergman as the lusciously complex and raw-nerved Alicia Huberman, it’s all these things. As the film begins, Alicia is on the...
Jan 14, 2019 — Songbook “Don’t You (Forget About Me)” could have had many lives before the life it eventually had. But the song had to work hard to be recorded at all. No one particularly wanted to sing it, and it was turned...
Dec 28, 2018 — Ulysses S. Jenkins’s Two-Zone Transfer By this time in December, the usual onslaught of critics’ polls and nomination lists has given movie lovers a feeling of consensus about what was unmissable over the past twelve months. We were curious about...
Dec 12, 2018 — Selection to the registry ensures that “these films will be preserved for all time.”
The Daily
Nov 29, 2018 — First Reformed, Eighth Grade, Roma, and The Rider emerge as early favorites.
Nov 26, 2018 — Even as he chronicles the downfall of an American family, Orson Welles brings a sense of buoyancy to this grim saga through his virtuoso storytelling.