The Criterion Collection
Essays
Apr 21, 2009 — “Just takes a few months to get to be a hundred. If you’re in the right place at the right time.” I first saw Henri-Georges Clouzot’s masterpiece The Wages of Fear when the restored version was released in the U.S.,...
Essays
Jul 21, 2008 — A dreamy alternative to the standard notion of horror, Carl Theodor Dreyer’s phantasmal film reimagined the figure of the vampire.
Sep 29, 2003 — Fassbinder had long dreamed of a “German Hollywood film.” He sought not only success with the audience, but also professionalism. The auteur film in its purest form is an attempt to abolish the division of labor: the filmmaker represents in...
The Daily
Sep 15, 2023 — This week features interviews with Martin Scorsese and Arturo Ripstein and appreciations of Tout va bien and Boris Karloff.
Features
Oct 31, 2016 — In her latest column, critic Imogen Sara Smith explores landmark moments in the intersection of noir and the western, including Marlon Brando’s One-Eyed Jacks.
The Daily
May 16, 2025 — There’s a lot going on besides Cannes: Kira Muratova, Glauber Rocha, Mikio Naruse . . .
The Daily
Dec 9, 2023 — This week we’re revisiting the work of Tolkin, Bogdanovich, and Borowczyk and reading profiles of Isabelle Huppert and Nicolas Cage.
The Daily
Apr 23, 2021 — This week we’re reading A. S. Hamrah on the contenders for this year’s Oscars and Ben Hecht on the state of Hollywood in 1938.
The Daily
Jul 1, 2020 — The actor, writer, and director was one of the most beloved comedians of his generation.
Oct 18, 2018 — Separated by more than a decade in Ingmar Bergman’s filmography, these two formally masterful dramas uncover the ugliness of male aggression and brutality.