The Criterion Collection
Essays
Mar 30, 2018 — This spectacular and technically ambitious Hollywood musical is a priceless window onto American pop culture’s view of itself in the 1930s.
Jan 4, 2007 — As we get back from vacation, the e-mail boxes are full. Kim, several of the other producers, and I have been doing our best to get to it all, but it’s beginning to pile up. We’ve been pretty good about...
Jan 28, 2020 — Motherhood is a recurring subject in the films of Pedro Almodóvar. The mothers in his movies are fierce, passionate, and resourceful—often in varying combinations, and to varying extremes. In Almodóvar’s darkly satirical fourth feature, What Have I Done to Deserve...
The Daily
Nov 12, 2025 — He anchored some of the best films by Kurosawa, Kobayashi, Okamoto, Naruse, and Teshigahara.
Essays
Apr 29, 2025 — A black-and-white version of Julian Schnabel’s portrait of his fellow artist and friend Jean-Michel Basquiat accentuates the film’s melancholy mood while highlighting the deep commitment of Jeffrey Wright’s performance.
Aug 28, 2024 — Albert Brooks and Debbie Reynolds are at their comedic best in this tale of parent-child bonding filled with Oedipal humor and emotional insight.
The Daily
Apr 24, 2024 — This month brings a collection of Chantal Akerman’s writing, analyses of Ozu and Kubrick, and list of the best Hollywood books ever.
The Daily
Jan 6, 2023 — The interdisciplinary Canadian artist was best-known in the States for such landmark films as Wavelength (1967) and La région centrale (1971).
The Daily
Nov 30, 2021 — Maggie Gyllenhaal’s Elena Ferrante adaptation wins best feature, screenplay, and breakthrough director—and scores a nod for Olivia Colman, too.
The Daily
Feb 20, 2019 — An overview of the award winners and a few critical and personal favorites.