The Criterion Collection
Jun 28, 2022 — Boasting a larger-than-life Divine, John Waters’ underground classic finds the sublime in the ridiculous.
Jun 28, 2022 — Part rom-com, part existential meditation, the final installment in Joachim Trier’s Oslo trilogy dignifies the fluctuating desires of a woman on the cusp of thirty.
Jun 22, 2022 — The long, quietly tense opening minutes of L’eclisse offer a blueprint for filmmakers looking to craft a devastating breakup scene.
Essays
Jun 21, 2022 — Two eras of Hong Kong history collide in this exquisite ghost story, which solidified director Stanley Kwan’s status as one of cinema’s truest romantics.
Jun 8, 2022 — The Indian director, actor, and producer’s early death has enshrined him as a tragic icon in public memory. But there is more to his art than misery.
Jun 1, 2022 — With his love of dissonance and bold use of dramatic motifs, the Hungarian-born composer Miklós Rózsa popularized a whole new style of film music.
The Daily
May 31, 2022 — The jury gave awards to nearly half the competition, but some critical favorites missed out.
May 31, 2022 — Billy Wilder’s classic film noir is a powerful meditation on masculinity, desire, and the fantasies of white America.
The Daily
May 27, 2022 — After firing up the screen in Something Wild, Liotta secured immortality as a wiseguy in Goodfellas.
The Daily
May 26, 2022 — The top awards at this year’s Critics’ Week go to stories of young people with uncertain futures.