Back To Search

It’$ Only Money

Dec 6, 2022 Known for their austerity and shocking moments of violence, the Austrian director’s first three films cultivate a kind of humanism in their dogged refusal to coddle the viewer.

October Books

The Daily

Oct 17, 2022 Memoirs from Paul Newman and Pierre Clémenti, miscellany from Satyajit Ray and Alan Rickman, and a translation of Marguerite Duras are among this month’s highlights.

Feb 8, 2022 A Prohibition-era gangster saga, the Coen brothers’ third feature is an enigmatic fable of violence, loyalty, and existential unease.

Dec 13, 2021 When Jessica Beshir embarked on making her debut feature more than a decade ago, she realized she was going to have to get comfortable with the unfamiliar and unknown. Not only did the Mexico-born, Brooklyn-based filmmaker have to learn how...

Jan 29, 2021 This week sees a new publication, a revived column, and countless hours of conversations about movies.

May 4, 2020 A new 976-page biography delves into the life and work of an ultimately unknowable man.

Aug 7, 2019 The last two days have seen an avalanche of titles filling up the fall festival lineups.

Jun 27, 2019 Sergei Bondarchuk pulled out all the stops to bring Tolstoy’s sprawling vision to the screen, and the result remains one of the most extravagant epic films of all time.

Feb 4, 2019 All four of this year’s top prizewinners have been directed or codirected by women.

Dec 14, 2018 “It’s sad to say, but women do not have much importance in westerns,” observed Anthony Mann, a master of the genre, in a 1957 Cahiers du cinéma interview. Made that same year, Samuel Fuller’s Forty Guns begins with a whopper...

Current Page
32
of 74

You have no items in your shopping cart