The Criterion Collection
Essays
Mar 26, 1998 — In The Lady Vanishes, Alfred Hitchcock pushes the romantic comedy-thriller form to perfection. Endlessly imitated, the film remains unique, even in Hitchcock’s canon. In no other movie but North by Northwest was he able to blend these two genres so...
Apr 21, 2009 — Fifty years ago today . . . Godard wrote this New Wave battle cry for the April 22, 1959, issue of the French journal Arts, on the news of François Truffaut’s The 400 Blows being selected to represent France at...
Mar 22, 2022 — In Robert Aldrich’s epic disaster film, James Stewart leads a pack of temperamentally different men as they struggle to survive in the face of the unknown—a template that would go on to influence Hollywood blockbusters for decades to come.
Oct 12, 2018 — Two early works by Ingmar Bergman show the Swedish master grappling with the conventions of melodrama, which would go on to influence his later explorations of spiritual torment.
The Daily
Apr 20, 2026 — For half a century, she was, as Emmanuel Macron put it, “a constant presence in French cinema.”
Oct 1, 2025 — In his second stop-motion feature, Wes Anderson grapples with what it means to acknowledge one another within systems that separate beings between pet and master, wild and tamed.
May 30, 2025 — The director discusses her path from neuroscience to cinema and the childhood memory that inspired her short August Visitor, a film about culture and intergenerational understanding.
The Daily
Oct 30, 2024 — The filmmaker struggled to emerge from the long shadow of one of the world’s most famous artists.
The Daily
Nov 15, 2022 — An ongoing series spotlights films by women directors made in eastern Europe during the Soviet era.
The Daily
Jul 8, 2022 — The actor brought a wiry tension to his roles in The Godfather, Thief, and Misery.