Jan 31, 2024 Shifting recklessly between realism and surrealism, this drug-fueled odyssey from director Danny Boyle is a propulsive satire of depleted masculinity in urban Scotland.

Jan 30, 2024 A kaleidoscopic work of literary adaptation, Dee Rees’s fourth feature film is anchored in a powerful fraternal bond between two men from opposite sides of the color line.

Jan 29, 2024 Jurors, audiences, and critics seem to agree that 2024 is off to a promising start.

Written in Neon

The Daily

Jan 19, 2024 We’ve been reading about Francis Ford Coppola, James Baldwin, Chantal Akerman, and Cary Grant and Randolph Scott’s barely kept secret.

Jan 10, 2024 The twentieth edition of MoMA’s festival of film preservation features classics and fresh discoveries from around the world.

Jan 8, 2024 The National Society of Film Critics and the Golden Globes have us surveying the latest round of best-of-2023 lists and overviews.

In This World

The Daily

Jan 5, 2024 Some big questions come up in discussions of work by Ozu, Welles, and Nancy Savoca.

Dec 15, 2023 Pedro Almodóvar looks back, Roy Andersson empathizes, and Alice Diop addresses the state of cinema.

Dec 13, 2023 In June 2023—six months after the release of his Oscar-winning, stop-motion, antifascist-fable version of Pinocchio—Guillermo del Toro found himself speaking to an audience at the Annecy International Animation Film Festival. Teenage Mutant Ninja Turtles: Mutant Mayhem, an underground-comix-influenced, hand-drawn-looking cartoon...

Nov 28, 2023 Past Lives came out on top in New York, while Stonewalling triumphed in Taipei.

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