Clear History

Oct 28, 2017 — We begin with a few translations. Asymptote lives up to its own billing as “the premier site for world literature in translation” with the presentation of Adam Kuplowsky’s renderings in English of some observational work by Yasujiro Ozu. “These three...

Oct 25, 2017 — Complete Film Criticism: Reviews, Essays, and Manuscripts, a collection edited by Charles Maland, gathers reviews and features James Agee wrote for The Nation from December 1942 to September 1948 and for Time from September 1942 to November 1948. Jonathan Rosenbaum...

Oct 16, 2017 — With all ten episodes of the first season of Mindhunter, created by playwright and screenwriter Joe Penhall (The Road) and based on John E. Douglas and Mark Olshaker’s book Mind Hunter: Inside the FBI's Elite Serial Crime Unit, now available...

Oct 12, 2017 — Last week, after years of rumors and aborted attempts to bring it to light, Hollywood’s “open secret” finally became a story fit to print. On Thursday, October 5, Jodi Kantor and Megan Twohey reported for the New York Times that...

Oct 8, 2017 — The New York Film Festival presents BPM (Beats Per Minute) tonight and tomorrow, and we begin with Jordan Cronk, writing for Cinema Scope: “A sprawling yet affectingly personal portrait of a group of Parisian activists and ACT UP members in...

Oct 6, 2017 — Kevin Jerome Everson has a nine-minute short screening as part of Projections’ Program 1: Speculative Spaces at the New York Film Festival. In IFO, “which stands for ‘Identified Flying Object,’ African Americans look up at the skies and report alien...

Oct 2, 2017 — Vulture has polled more than forty working screenwriters—their names and credits are listed—to come up with an annotated list of the “100 Best Screenwriters of All Time.” David Edelstein’s written the entry on the legend who’s landed at the top,...

Sep 26, 2017 — The sexual pedagogy of a masochistic music instructor takes center stage in this shocking study of art, control, and repression.

Sep 21, 2017 — The editors of Senses of Cinema open Issue 84 with a “near exhaustive dossier” on Christian Petzold and a second entitled “Sartre at the Movies.” Here, “one of the world’s foremost scholars of French cinema, Dudley Andrew, explores the ideas...

Sep 10, 2017 — “Fear rises like gas from a corpse in Armando Iannucci’s brilliant horror-satire The Death of Stalin,” begins the Guardian’s Peter Bradshaw. “It’s a sulphurous black comedy about the backstairs Kremlin intrigue that followed the death of Joseph Stalin in 1953,...