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An Interview with God

Aug 17, 2015 François Truffaut’s love letter to the movies is a lightheartedly self-reflexive symphony of camera movement and musical flourish.

Jul 13, 2015 “I think that in a few years, in ten, in twenty, or thirty years, we shall know whether Hiroshima mon amour was the most important film since the war, the first modern film of sound cinema.” That was Eric Rohmer,...

Oct 28, 2014 What you hear is as crucial—and as funny—as what you see in Tati’s films.

Oct 21, 2014 There were plenty of advantages to living in Paris in the early 1970s, especially if one was a movie buff with time on one’s hands. The Parisian film world is relatively small, and simply being on the fringes of it...

Aug 18, 2014 The filmmaker and critic discuss the pleasures and provocations of the Spanish auteur’s work.

Jul 23, 2014 Jacques Demy’s miraculous, melancholy musical is the rare film to use pastiche and artifice to go straight for the heart.

Oct 23, 2012 Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled...

Apr 25, 2012 Pearls of the Deep: Alumni AssociationIn the mid-1960s, there was a brief window during which a remarkable cinema of ideas and visual experimentation flourished in Communist Czechoslovakia. This fecund period lasted approximately five years, from 1963 to 1968, when it...

Jan 18, 2012 Poto and Cabengo: Three-Part Harmony Jean-Pierre Gorin’s three Southern California movies are so militantly unclassifiable that terms like documentary or essay film seem as hopelessly out of sync with the recalcitrant and frequently exhilarating works themselves as a Marxist harangue in...

Jan 17, 2012 “I felt they showed more of me than they’d said they were going to,” Catherine Deneuve remarked to Pascal Bonitzer in 2004, about the making of Luis Buñuel’s 1967 Belle de jour. “There were moments when I felt totally used....

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