After the Hunt

Dec 1, 2009 — The first words we hear are Sam Cutler’s: “Everybody seems to be ready—are we ready?” We were nowhere near ready for what was to come, there at the bitter end of the sixties. I remember that rainy day so well,...

Oct 24, 2005 — Kihachi Okamoto’s subversion of the samurai movie possesses the same gritty, stark realism with regard to imagery and body count, yet the tone is decidedly comic.

Dec 2, 1991 — Director Akira Kurosawa had wanted to make Throne of Blood for some time. “After finishing Rashomon [in 1950] I wanted to do something with Shakespeare’s Macbeth, but just about that time Orson Welles’s version was announced, so I postponed mine.”...

Jun 17, 2025 — Drawing from over a dozen hours of black-and-white footage, Direct Cinema pioneer Charlotte Zwerin created this elliptical and moving portrait of one of American music’s most original artists.

Oct 15, 2019 — The witch has a long history in Western cinema. Nowadays, we tend to associate her with horror, but early depictions resist easy categorization. She appeared in American silent films as early as 1908 (in a short called The Witch). The...

Sep 17, 2019 — Fusing the melodrama of Douglas Sirk and the ballyhoo of William Castle, John Waters’ sixth feature, Polyester (1981), was a departure from the scrofulous 16 mm mode of production he had made his cult name plying to midnight-movie crowds in...

Jul 24, 2018 — A feast of sumptuous color and cinematic imagination, Powell and Pressburger’s postwar masterpiece is also a powerful reckoning with recent history.

Jun 12, 2017 — Informed by his work in theater and his travels through rural America, Nicholas Ray brought an outsider’s perspective to genre filmmaking in his debut feature.

Jun 19, 2014 — PerformancesTime has added some latter-day ironies to All That Heaven Allows, and not just the revelation that its star Rock Hudson was gay. There’s also the political career of Ronald Reagan, the ex-husband of Hudson’s costar, Jane Wyman—built on the...

Oct 21, 2013 — As a film star, John Cassavetes embodied the kinetic, wild-eyed, insanely grinning villain. He seemed born to the role, with his volatile energy and dynamic outbursts, luminous yet curiously deadened eyes, wide-gaping mouth (David Thomson has likened it to a...