The Criterion Collection
Features
Jul 31, 2017 — What is the defining characteristic of the femme fatale? Critic Imogen Sara Smith explores the range of this film noir archetype through a handful of classic performances.
May 22, 2017 — “Philippe Garrel has always only needed the barest means to make movie magic,” begins Daniel Kasman in the Notebook: “a beautiful, tragic face, a sad wall to put behind it, a mournful, pensive walk alone on the street. He is...
Essays
Mar 7, 2017 — With his unique blend of British realism and romantic fatalism, director Andrew Haigh exposes the quiet desperation at the heart of a long marriage.
On the Channel
Nov 8, 2016 — The Austin-based filmmaking duo chat with us about the influence of Louis Malle and their new short film, which takes inspiration from the director’s Black Moon.
Oct 9, 2015 — Guy Maddin and his filmmaking partner Evan Johnson dropped by the Criterion kitchen to talk about their new film, The Forbidden Room.
Aug 13, 2015 — The films Agnès Varda made while living on the West Coast of the United States are some of the most searching and challenging of her stellar career.
Features
May 7, 2015 — Movie comedies about moviemaking through the decades
Aug 28, 2012 — A frenetic portrait of New York as well as a love story, Paul Fejos’s film captures the odd sensation of being alone in the big city, even when in a crowd.
Apr 20, 2010 — In 1992, I went to Paris to see some movies that weren’t turning up on these shores, at least not as quickly as I wanted them to. At the time, it meant something particular to be going to Paris to...
Jun 16, 2008 — Decades later, we’ve come to understand that Claude Sautet’s film—in a less gaudy and obvious, more secretive, insidious way—was just as revolutionary as Breathless.