A New Year

Feb 1, 2018 — The Tracking Board’s Jeff Sneider hears from “multiple sources” that Clint Eastwood—seen above in Gran Torino (2008)—is “circling” The Mule, a project based on Sam Dolnick’s 2014 article for the New York Times Magazine about Leo Sharp, a ninety-year-old courier...

Jan 18, 2018 — The lineups for the sixty-eighth Berlin International Film Festival, running from February 15 through 25, are coming hard and fast now. Today sees rollouts for the Forum, the main attraction for many a cinephile, and the Berlinale Series. With descriptions...

Aug 16, 2017 — New York. Boxing on Film: Part 1, a series opening at Anthology Film Archives on Friday and running through August 27, focuses “on the barbarity of pugilism while also exalting the elemental spectacle of two men trying to knock each...

Dec 29, 2015 — One refrain often heard in discussions of twenty-first-century film culture is a lament for the loss of social film viewing. While we celebrate the fact that digital technologies have given us convenient access to unprecedented numbers of movies, old and...

Apr 5, 2012 — Repertory Picks The neorealist roots of Michelangelo Antonioni’s art are on full display this weekend at New York’s Museum of the Moving Image. The series Antonioni Documentaries is the culmination of a string of events in New York over the...

Jul 2, 2009 — This week, Agnès Varda’s beguiling new film, the autobiographical documentary The Beaches of Agnès, makes its U.S. premiere at New York’s Film Forum, and for the occasion A. O. Scott has profiled the indefatigable eighty-one-year-old auteur in a splendid article...

Jul 23, 2007 — It’s hard to think of an artist who better exemplifies the obscuring ebb and flow of film history than Raymond Bernard.

Mar 29, 2019 — Fresh assessments of the work of Chris Marker and Stanley Kubrick, an interview with Kent Jones, and that stellar year for American cinema, 1999.

Jul 30, 2018 — At a time when women were rarely seen behind the camera, Babette Mangolte created a bold, distinctive aesthetic with a mix of slow rhythms and hauntingly static compositions.

Jan 12, 2018 — One of the greatest works of Cuban cinema returns for a theatrical run at New York City’s Film Forum this week.