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A Good Person

Nov 12, 2021 First Person At the end of February of 2020, I watched The Gleaners and I with my boyfriend at BAM. It was, I thought, an ordinary day. We bought tickets in advance because we knew the small theater’s screenings always...

Apr 19, 2021 What lies beyond the grave? Human cultures across space and time have imagined many kinds of afterlives, from the attenuated shades of Hades to the lush paradise of the Islamic Jannah to the merger with the infinite anticipated by mystics....

Jan 26, 2021 I stumbled onto Will Niava’s debut short film, Zoo, via a still I saw online: a close-up of a young man’s face under blue neon, framed by cigarette smoke. Curious about this striking image, I tracked down the film and...

Nov 17, 2020 Cinematographer Shabier Kirchner is having quite the year, with the rapturous reception of his work on Steve McQueen’s Small Axe films, which played at New York Film Festival and will launch on Amazon this Friday. Prior to this breakthrough, he’s...

Aug 31, 2020 “Movies show us ourselves as we had not yet learned to recognize us—something in the nature of daily being or happening that quickly gets folded over into ancient history like yesterday’s newspaper, but in so doing a new face has...

Jul 28, 2020 Having won the hearts of audiences and costars, one of the brightest lights of Hollywood’s golden age also scored a landmark victory in the courts.

Nov 29, 2019 Since its debut in 2003, the online film publication Reverse Shot has found playful and provocative ways of blurring the boundaries between presumed opposites. With their tradition of symposiums—collections of newly commissioned essays on various topics and questions in film...

Jun 24, 2019 A work of rapturous energy, John Cameron Mitchell’s beloved debut feature is a freewheeling rock-and-roll musical suffused with heartbreak and pleasure.

Jun 28, 2018 As two festivals in New York survey the best of new Japanese cinema, it’s “Summer in Japan” in Toronto.

Apr 16, 2018 Just before the release of her new film You Were Never Really Here, Lynne Ramsay spoke with us about her early moviegoing life in Glasgow, the version of herself that emerges on set, and the mind-expanding power of chess.

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