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A Dream

In the Zones

The Daily

Feb 9, 2024 We’re taking Black History Month viewing recommendations, listening to Peter Bogdanovich’s podcast, and reading about London critics’ favorites.

Five Events

The Daily

Jan 26, 2024 We gather essays and interviews related to series spotlighting Ousmane Sembène, Serge Daney, Skip Norman, Iranian cinema, and the Oscars.

Dec 13, 2023 Through the ages, some tales have spread their seeds like trees, creating forests of imagination. Fairy tales often have that quality. But I doubt that Carlo Collodi, the author of the 1883 novel Pinocchio, would like his story to be...

Dec 5, 2023 A tight-lipped stranger arrives in a gold-mining town. After checking into a hotel, he heads to Charlie’s Saloon, one of those gambling palaces with glittering chandeliers and be-feathered hostesses. He is told that Charlie “runs the town” and “owns a...

Apr 27, 2023 Over the course of her four-decade career, the pioneering Indian documentary filmmaker has demonstrated the important roles that joy and pleasure play in the process of political change.

Jan 10, 2023 In its ambivalence toward its provocative themes, John M. Stahl’s groundbreaking exploration of racial identity demonstrates the insolubility of Hollywood’s representational conundrum.

Immortal Material

The Daily

Oct 14, 2022 Martin Scorsese remembers Jean-Luc Godard, Francine Prose admires Jafar Panahi, and Guy Maddin discusses his earliest and newest works.

10 Things I Learned: Rouge

Production Notes

Jun 21, 2022 The producer of our edition of the masterful 1987 melodrama tells the stories of some of director Stanley Kwan’s legendary collaborators, including superstars Anita Mui and Leslie Cheung.

Mar 29, 2022 About half an hour into love jones, Theodore Witcher’s romance from 1997 starring Larenz Tate and Nia Long, the two main characters amble along a Chicago block as raindrops fall, soft but insistent. The colors are warm, naturalistic—browns, mauves, and...

Mar 25, 2022 With its rambling Victorian mansions and seedy charms, the once-exclusive area of downtown Los Angeles was film noir’s favorite neighborhood.

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