The Criterion Collection
Oct 29, 2014 — George Sluizer’s singularly unsettling work of psychological terror is a model of lucid craftsmanship.
Features
Oct 2, 2014 — The following is a chapter on The Innocents from cinematographer Freddie Francis’s memoir, The Straight Story from “Moby Dick” to “Glory.” It is reproduced here courtesy of Scarecrow Press. The last picture I worked on as a cinematographer in my...
Oct 2, 2014 — People struggle to escape their socially dictated roles in Rainer Werner Fassbinder’s moving, Douglas Sirk–inspired melodrama.
Sneak Peeks
Sep 30, 2014 — Sundays and Cybèle—Serge Bourguignon’s searing French drama about an unorthodox relationship between a traumatized war veteran and a young girl—was not an easy film to market. Its subject matter is difficult, and the complexity of its characters’ lives and motivations...
Aug 19, 2014 — Alfonso Cuaron, a filmmaker congenitally allergic to creative constriction, made his most liberated movie with this erotic, moving, often funny threesome tale.
Aug 13, 2014 — Actors Gael García Bernal and Diego Luna sat down to talk to Criterion about their experiences making Y tu mamá también with director Alfonso Cuarón for our release of the 2001 film. In this clip, they discuss finding a chemistry...
Visual Analysis
Aug 4, 2014 — Film scholar James Quandt created a nearly hour-long visual essay for our new collector’s set The Essential Jacques Demy. Titled Jacques Demy, A to Z, it elaborates on twenty-six concepts important to understanding the cinema of this singular filmmaker. For...
Jul 30, 2014 — A friend and longtime scholar of Jacques Demy ruminates on the great director’s career, as well as the port hometown they shared—which would become a magical movie location.
Jul 25, 2014 — Erik Skjoldbjærg’s sun-drenched noir follows a detective trying to conceal his amoral actions amid unforgiving daylight.
Features
Jul 1, 2014 — The author’s recollections of the great English actor.