The Criterion Collection
Dec 16, 1991 — Lady for a Day represented a watershed in the career of Frank Capra. The young director had been laboring at Columbia Pictures’ Poverty Row Studio, churning out 18 films in less than six years. He had moved from low-budget programmers...
Essays
Dec 2, 1990 — In Martin Scorsese’s hands, the camera is not simply a recording device, but an x-ray machine—and it shows us close-ups of the human soul.
Essays
Dec 11, 1986 — If events had turned out differently, Orson Welles’s second film might well be widely regarded as “the greatest film of all time.”
The Daily
Jun 26, 2026 — We’re tracking the unconventional flows of Zidane, Eephus, and Castration Movie; plus Pedro Costa on Mizoguchi and Tourneur.
May 28, 2026 — In his delightful and engrossing new memoir Flashbacks: A Passion for Film, Peter Cowie brings to vivid life the era we have come to know as the golden age of art-house cinema, an astonishing period in the growth and distribution...
The Daily
May 27, 2026 — This year brought restorations of Ken Russell’s The Devils and docs on Vittorio De Sica, Chris Marker, David Lean, and Bruce Dern.
The Daily
Apr 24, 2026 — Great writing this week on Maurice Pialat, Paul Newman, Johnnie To, Mark Fisher, and wrestlers.
The Daily
Feb 20, 2026 — Steven Soderbergh talks and two retrospectives showcase work by Raymond Depardon and John Schlesinger.
The Daily
Feb 17, 2026 — Clint Bentley’s Train Dreams was the big winner at this year’s Film Independent Spirit Awards.