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Nov 28, 2015 — We had some fun making the main menu for our new release of D. A. Pennebaker's groundbreaking documentary Dont Look Back. The menu’s video, a two-minute loop composed of rare footage from the film, is structured around an outtake of...

Nov 27, 2015 — From on-the-run crime dramas to swooning tales of love and loss, the films of French director Julien Duvivier marry beautiful camera work and an expressive, often poetic use of music and sounds. The dream sequence that opens the story in...

Nov 25, 2015 — Last week, when John Waters stopped by Criterion for a visit, we asked the cult filmmaker (and connoisseur of holiday entertainment) for his recommendations of the films we should be watching this holiday season. Naturally, he responded with one of...

Nov 25, 2015 — Akira Kurosawa's 1952 film about one man’s mortality offers a study in postwar Japan, Kurosawa vs. Ozu, and the realization that knowing how to die requires learning how to be alive.

Nov 24, 2015 — Film scholar David Bordwell has written a terrific new piece for his blog about the incredible influence and evolution of Agnès Varda’s six-decade-long filmmaking career. “Varda is now regarded as a living treasure of world cinema,” Bordwell writes. “Whatever she...

Nov 24, 2015 — In Dont Look Back, legendary documentary filmmaker D. A. Pennebaker employs his revolutionary new camera and Direct Cinema style to capture the multiple essences and contradictions of a young Bob Dylan making his way across England in 1965.

Nov 19, 2015 — Satyajit Ray’s long-heralded cinematic achievement was influenced by European cinema but also grew out of long-standing Indian artistic tradition.

Nov 18, 2015 — On the night of the New York premiere of Gaspar Noé’s controversial new film Love, his 3D cinematic sex odyssey, the French-Argentine provocateur stopped by Criterion with the film’s star, Aomi Muyock.

Nov 18, 2015 — Richard Brooks’s In Cold Blood applied cinematic specificity and flair to the literary realism of Truman Capote’s classic “nonfiction novel.”

Nov 17, 2015 — Satyajit Ray began his filmmaking career by offering a vision of the young Apu, the character he would go on to follow throughout the three films of his stunning breakthrough epic.