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Two in One

Nov 18, 2013 When Tokyo Story was released in late 1953, Western audiences were just being exposed to Japanese cinema. Akira Kurosawa had made his breakthrough with Rashomon three years earlier, and Kenji Mizoguchi was moving to the forefront of the international festival...

Oct 17, 2013 Christiane’s countenance is one of the most memorable in all of horror cinema—yet you barely get to see the real face of the actor playing her. Edith Scob is an ethereal force in Georges Franju’s Eyes Without a Face as...

Sep 17, 2013 The author sheds some light on the fascinating life of the American scriptwriter behind Roberto Rossellini’s Paisan.

May 7, 2013 Blame it on the Madison. Or blame it on Arthur, Franz, and Odile’s gleeful race through the Louvre in an attempt to break the world record (held by an American, of course) for the quickest visit ever. Blame it on...

Apr 10, 2013 Teinosuke Kinugasa’s landmark color film is a visual feast that has finally been vibrantly restored.

Nov 6, 2012 When Akira Kurosawa made Rashomon (1950), he was a forty-year-old director working near the beginning of a career that would last fifty years, produce some of the greatest films ever made, and exert a tremendous and lasting influence on filmmaking...

Jul 19, 2012 I want to start with my favorite story about Carole Lombard. She began her career in Hollywood in her teens and, as we know, was very attractive. She found herself hounded by the wolves of Tinseltown but came up with...

Jun 13, 2012 Tasteful British cinema got a refreshing dose of amorality with Danny Boyle’s stylish and violent tale of greed and paranoia.

May 11, 2012 We spread the word about Larisa Shepitko, one of the true visionaries of Soviet cinema, when we released two of her incredible films in 2008, but she remains an under-the-radar figure for most movie lovers. By 1979, when she was...

Apr 24, 2012 Among the most widely seen photographs of Hollis Frampton is one of him as a young man, a self-portrait taken in 1959, if we are to trust the narration he composed to accompany its inclusion in his 1971 film (nostalgia)....

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