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Apr 10, 2019 — One Scene Dušan Makavejev’s boundary-pushing 1974 film Sweet Movie gleefully skewers the forces of social oppression with a twisted double narrative and Day-Glo scenarios. At a time when the director’s native Yugoslavia was carving out a unique position somewhere between the political...

Apr 8, 2019 — We just launched the new Criterion Channel today, and we’re hitting the ground running with a lineup of outstanding film noirs produced by Columbia Pictures between the midforties and the early sixties, after the company had risen from its humble...

Apr 1, 2019 — The artist, photographer, and filmmaker leaves behind one of the most varied and restless oeuvres in cinema.

Mar 27, 2019 — Twenty-four features by some of the world’s most promising directors are screening in New York through April 7.

Mar 21, 2019 — Repertory Picks Take Marlene Dietrich at the height of her stardom, stick her in tight quarters with fellow screen siren Anna May Wong, and surround them with a band of lowlifes, and you have the recipe for pre-Code Hollywood at...

Mar 20, 2019 — Anatomy of a Gag Harold Lloyd may not have had the melancholy disposition of his silent-clown competitors Charlie Chaplin and Buster Keaton, but he knew how to introduce elements of menace and peril into his comedies in a way that...

Mar 18, 2019 — One Scene When Jia Zhangke made his 1997 feature debut, Xiao Wu, he was rebelling against decades of tradition that had drawn a hard line between cinema and reality. Chinese film history is rooted in genres found in classical theater...

Mar 13, 2019 — Women’s stories are central to five of the six top prize winners.

Mar 7, 2019 — The art of Orson Welles and David Lynch, the marriage of Fay Wray and Robert Riskin, and the criticism of Adrian Martin and David Thomson are among the subjects in this month’s round.

Feb 25, 2019 — Turns out, not everyone loves a winner.