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Jan 20, 2018 — “American Animals is nothing if not a movie that arrives at some very simple truths in the hardest way possible,” writes IndieWire’s David Ehrlich. “A slick, well-acted, and intensely self-reflexive docudrama from the director of The Impostor, [Bart] Layton’s first...

Jan 20, 2018 — On what would have been Saul Turell’s ninety-seventh birthday, Peter Cowie celebrates the man who was the beating heart behind Janus Films.

Jan 20, 2018 — “In the near-decade since Dogtooth gnawed its way into viewers’ imaginations,” begins Guy Lodge in Variety, “the words ‘Greek comedy’ have come to mean something nearly as distinct as ‘Greek tragedy’ to arthouse audiences—just not always distinct from Greek tragedy,...

Jan 20, 2018 — We begin with April Wolfe, writing for Film Comment and introducing us to Maxim Pozdorovkin and Our New President, which “tells a thrilling, scary, mind-bending, and often-hilarious story of Russian propaganda’s role in the 2016 U.S. presidential election, constructed almost...

Jan 19, 2018 — Two marvels of midcentury social commentary now streaming on the Criterion Channel show how progress can be a one-step-forward, two-steps-backward process.

Jan 19, 2018 — “Rachel (Kathryn Hahn) and Richard (Paul Giamatti), the beleaguered bohemian-geek couple at the center of Private Life, have been trying, through fertility treatments, to get pregnant for years,” begins Variety’s Owen Gleiberman. Private Life “is a comedy of fragile hopes...

Jan 19, 2018 — “Tapping into the cultural, social and political anxieties that are tipping our country toward another revolution, Carnegie Hall has rallied some of the biggest institutions in the city for The ‘60s: The Years That Changed America,” writes Eva Kis for...

Jan 19, 2018 — “With issues of women’s equality, sexual misconduct, and political turmoil heavy on the movie world’s mind, Sundance Film Festival Director John Cooper said he wanted to start the 2018 edition with a movie that’s ‘fun to the point of sassy,’”...

Jan 18, 2018 — To Save and Project: The 15th MoMA International Festival of Film Preservation opens tonight with William K. Howard’s Transatlantic (1931; image above), “a pre-Code comedy firmly set during the golden age of ocean travel,” as Caroline Golum notes at Screen...

Jan 18, 2018 — The lineups for the sixty-eighth Berlin International Film Festival, running from February 15 through 25, are coming hard and fast now. Today sees rollouts for the Forum, the main attraction for many a cinephile, and the Berlinale Series. With descriptions...