Three

Jul 9, 2007 — Set almost entirely in a single house, Hiroshi Teshigahara’s eloquent collaboration with writer Kobo Abe shows both his powerful staging and his love of fine, almost microscopic, detail.

Jul 9, 2007 — Hiroshi Teshigahara’s late work is a masterful amalgam of high international modernism and traditional Japanese fine arts.

Jul 9, 2007 — This unforgettable drama about damaged adolescents combines Jean Cocteau’s penchant for mythic poetry and Jean-Pierre Melville's knack for crafting intricate schemes.

Jun 18, 2007 — Yasujiro Ozu had already directed forty-five features by the time he started work on Early Spring, in 1955, but the artistic and commercial success of his previous film, Tokyo Story (1953), had rejuvenated him.

Jun 11, 2007 — Over the past month or so, it seems as though glancing references to Criterion are popping up everywhere. This morning, I saw Bob Stein, one of the original founders of Criterion, in New York magazine, being interviewed for his fashion...

May 21, 2007 — Carol Reed’s masterpiece dives deep into the life and mind of screenwriter Graham Greene, one of Britain’s greatest postwar novelist.

May 21, 2007 — In January 1948, British film producer Sir Alexander Korda, head of British-Lion and London Film Productions, commissioned novelist Graham Greene to write and research “an original postwar continental story to be based on either or both of the following territories:...

Apr 23, 2007 — Louis Malle’s documentary work adopts certain tenets of cinéma direct—improvisation, minimal crew, the refusal to organize reality—and applies them to a consistently class-conscious, outsider perspective.

Mar 26, 2007 — Across five films, the Swedish director defined his guiding themes and cinematic style.

Mar 16, 2007 — The first of his films to be shown outside Japan, Ichikawa Kon’s twenty-seventh feature dramatically raised the director’s profile.