The Criterion Collection
Essays
Sep 24, 2013 — Marketed as a movie of volcanic passion, Roberto Rossellini’s first film with Ingrid Bergman is rather a pragmatic take on the negotiations of matrimony.
Jun 19, 2013 — Disorienting, brutal, and bloody beautiful, František Vláčil’s epic is a dark medieval vision teeming with cinematic invention.
Sneak Peeks
Nov 14, 2012 — Pier Paolo Pasolini is without question one of the most controversial filmmakers who ever lived. He is also among the most fascinating. He brought rigorous social and artistic philosophies to every project he embarked on, and boldly voiced beliefs that...
Jul 11, 2012 — Performances Of all the stultified suburban folks in The Ice Storm, Ang Lee’s diamond-sharp adaptation of Rick Moody’s novel about two Connecticut families in the early seventies, Sigourney Weaver’s Janey Carver might appear the least in need of attention. Most...
Apr 3, 2012 — Lena Dunham talked to us about a series she just programmed of films that have inspired her.
In the span of a mere sixteen years, this German wunderkind made an astonishing forty-four movies that run the gamut from melodramas to period pieces to science fiction.
Features
Jul 8, 2011 — I was scared to death about The Lady Eve. I happen to love pratfalls, but as almost everything I like, other people dislike, and vice versa, my dearest friends and severest critics constantly urged me to cut the pratfalls down...
Apr 26, 2011 — At once prestigious literary adaptation and slapstick buddy flick, this is something like a lowbrow art film, an egghead monster movie, a hilarious paean to reckless indulgence, and perhaps the most widely released midnight movie ever made.
Essays
Mar 29, 2011 — As the only film of a Gilbert and Sullivan opera brought to the screen with the participation of the D’Oyly Carte Opera Company, Victor Schertzinger’s 1939 Technicolor The Mikado is a unique specimen; however one rates it, there is nothing with...
Jan 25, 2011 — Sapphire: Inner City Given his strikingly eclectic body of work, it’s not surprising that Basil Dearden has never become a household name—he’s too hard to pin down. Moving effortlessly among comedies, melodramas, and thrillers, over a thirty-five-film, nearly thirty-year career,...