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The First Year

Oct 20, 2021 This uncanny tale of existential anxiety stands out as the most rigorously pared-down American science-fiction film of the 1950s.

Sep 17, 2021 The new 4K restoration of Christopher Petit’s debut feature will screen at the New York Film Festival before opening at the Metrograph.

Sep 16, 2021 As the Viennale prepares a retrospective, Toronto premieres what Davies calls “the best film I’ve made.”

Sep 16, 2021 For some, it’s “a relentless, propulsive chase movie,” while others find this first part to be “a turgid preamble with little payoff.”

Sep 2, 2021 A dark chapter in Spain’s history lurks in the background of Almodóvar’s exuberant comedy.

Sep 2, 2021 Translated into English for the first time, this afterword to Hirokazu Kore-eda’s novelization of his film explores the director’s attraction to fiction writing and how the art form differs from narrative cinema.

Aug 20, 2021 This week we’re appreciating performances from Elliott Gould and Elaine Stritch and delving into the work of Lav Diaz and Kevin Jerome Everson.

A Noir-Tinged Week

The Daily

Aug 13, 2021 This week we’re reading about the first and second waves of noir and taking a good look at a smartly dressed man.

Jul 23, 2021 Deep Dives In later years, Buster Keaton referred to his signing of a contract with MGM as “the worst mistake of my career.” In 1928 it was purely a business decision. The last few films he had made for his own...

Jul 23, 2021 This week’s highlights take us to Nigeria, Egypt, Sardinia, and Japan.

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