The Criterion Collection
Jan 11, 2016 — In honor of the great cinematographer, our technical director shares some memories of encountering the man and his work.
Jan 5, 2016 — Toshiya Fujita’s two-film saga set exuberant, manga-inspired martial-arts choreography against a backdrop of a Japanese society in transition to unfold a vivid tale of epic vengeance.
In Theaters
Nov 25, 2015 — Repertory PicksDecember is but a few days away, so it’s an ideal time to revisit Metropolitan, Whit Stillman’s classic holiday tale of New York's “urban haute bourgeoisie.” And this week, the director's influential 1990 gem will screen in Florida at...
Essays
Nov 25, 2015 — Akira Kurosawa's 1952 film about one man’s mortality offers a study in postwar Japan, Kurosawa vs. Ozu, and the realization that knowing how to die requires learning how to be alive.
Short Takes
Oct 19, 2015 — Take a look back at critics’ initial reactions to David Lynch’s haunting masterpiece Mulholland Dr.
Oct 9, 2015 — Guy Maddin and his filmmaking partner Evan Johnson dropped by the Criterion kitchen to talk about their new film, The Forbidden Room.
Sep 28, 2015 — Rarely has schizophrenia been closer to the surface of American cinema than in the transitional period of 1968–71. Hollywood had just abandoned its censorship code after nearly thirty-five years, and the behemoth studios were heaving and rattling into oblivion or...
Short Takes
Sep 10, 2015 — Noah Baumbach asks one of his idols, Brian De Palma, about the stunningly elaborate museum sequence in Dressed to Kill.
Production Notes
Jul 27, 2015 — 1. My Beautiful Laundrette launched a number of careers: that of writer Hanif Kureishi, soon to be regarded as one of the most important voices of his generation; those of producers Tim Bevan and Sarah Radclyffe, whose then fledgling company, Working...
Jul 7, 2015 — Our recollections of Robert Siodmak’s 1946 movie The Killers are apt to center on three primary elements: Ernest Hemingway’s story, so literally brought to the screen in the film’s opening scenes; Ava Gardner, carrying the full weight of that late-forties...