The Criterion Collection
Essays
Jul 25, 2005 — Seijun Suzuki’s drama sees sexuality as a potent anarchic force that, in its implacable selfishness, brushes aside any sort of order or discipline.
Jul 11, 2005 — The trickily variant sensibilities of the three daydreams and their long duration are what mark Unfaithfully Yours as a stray modernist object.
Essays
Jan 10, 2005 — Seijun Suzuki's penultimate film for Nikkatsu is a subversively funny account of the making of a model fascist.
Aug 2, 2004 — The three film’s in Renoir’s trilogy are comic period fantasies in dazzling color, offering a kind of continuous, bustling choreography in which shifting power relations between upper and lower classes and between spectators and performers literally turn the world into...
Essays
Feb 2, 2004 — A story about defeat and failure, Robert Bresson’s masterpiece is a milestone in the slow process of the liberation of postwar French cinema
Essays
Sep 29, 2003 — Roman Polanski’s maiden feature would define his maverick status once and for all.
Essays
Jun 23, 2003 — Alain Resnais’s antidocumentary never purports to “document” the heinous realities of the Holocaust; instead, it interrogates our responses.
Apr 28, 2003 — François Truffaut’s third Antoine Doinel installment is a perpetual juggling act by which harsh truths are disguised as light jokes.
Essays
Sep 17, 2001 — Jirí Menzel’s war comedy is an absurdist symphony of self-absorption and impotence.