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Feb 13, 2024 — Through its echoes, resonances, and intricately branching stories, this cycle of films evokes the feeling that life, like the weather, is based on patterns too complex to ever be fully predictable.

Feb 9, 2024 — We’re taking Black History Month viewing recommendations, listening to Peter Bogdanovich’s podcast, and reading about London critics’ favorites.

Feb 6, 2024 — Tanaka Toshihiko’s first film launches a projected trilogy of stories set on the Japanese island of Hokkaido.

Feb 5, 2024 — He brought magical life to figures in films by Guillermo del Toro and Wes Anderson.

Feb 2, 2024 — Film Forum’s series of thirty films centering on women loving women is “eccentric, enduring, and genre-encompassing.”

Feb 1, 2024 — The festival sets its juries, adds two titles, and calls for the release of Maryam Moghaddam and Behtash Sanaeeha.

Jan 31, 2024 — Shifting recklessly between realism and surrealism, this drug-fueled odyssey from director Danny Boyle is a propulsive satire of depleted masculinity in urban Scotland.

Jan 30, 2024 — Metrograph will screen Kimi Takesue’s study of tourism in Laos and stream her two previous features as well.

Jan 29, 2024 — Jurors, audiences, and critics seem to agree that 2024 is off to a promising start.

Jan 26, 2024 — We gather essays and interviews related to series spotlighting Ousmane Sembène, Serge Daney, Skip Norman, Iranian cinema, and the Oscars.