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The Brazilwood Man

Jan 13, 2014 With economy and panache, Michael Mann established his existential crime drama style with this breakthrough first feature.

Dec 10, 2013 Djibril Diop Mambety’s Senegalese masterwork is remarkable for both its technical audacity and its postcolonialist expressionism.

Apr 22, 2013 A vivid portrait of a ruthless murderer, Laurence Olivier’s Technicolor Shakespeare adaptation is back in a killer restoration.

Roger Ebert on Ozu

Short Takes

Apr 5, 2013 We will miss our friend Roger Ebert, who died yesterday at age seventy. In honor of this very special man and most beloved and influential of film critics, we would like to share with you the first four minutes of...

Donald Richie, 1924–2013

Production Notes

Feb 19, 2013 Photo by Grant Delin, 2012 Today we mourn the loss of Donald Richie, writer, critic, curator, cultural explorer, and my friend since 2001. I met him when he came to New York to record a commentary track for our DVD...

Oct 30, 2012 All of them actors? Nearly everyone wears a mask in Roman Polanski’s devilishly clever work of horror.

Herzog’s Dreams

In Theaters

Aug 30, 2012 Repertory PicksIf you’ve seen Werner Herzog’s Fitzcarraldo but not Les Blank’s Burden of Dreams, then you haven’t really experienced the whole story of Herzog’s epic. The undertaking of Fitzcarraldo was mammoth—and more than a little mad. In deciding to make...

Apr 24, 2012 Among the most widely seen photographs of Hollis Frampton is one of him as a young man, a self-portrait taken in 1959, if we are to trust the narration he composed to accompany its inclusion in his 1971 film (nostalgia)....

Mar 27, 2012 Good wartime propaganda films are as rare as good wars. Noël Coward and David Lean’s In Which We Serve, which had its premiere in Great Britain in September 1942, when the nation was entering the fourth year of hostilities with...

Mar 21, 2012 The famed collaboration between director Mikhail Kalatozov and cinematographer Sergei Urusevsky, which, with its distinctive combination of effective melodrama and a wild, powerful visual style, helped make Kalatozov the most successful Soviet cinematic export of his generation, in fact spanned...

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